![]() ![]() Unlike some other boxes that are noisy/electronic and highly lossy and filtered or anemic, this design is all passive doing all of its 'magic' within the custom transformer and audiphile grade attenuator pot. I believe we are the first to do one with a +6 output, certainly the first passive box to do so thanks to an amazingly good quality custom transformer. Just about every reamping box I've seen on the market follows this approach and has a maximum output lower than its input. This explains why, in my studio experience many years prior, I saw engineers using a 10dB guitar 'boost' pedal as a follower to the original (John Cuniberti) ReAmp box. Coming out of the DAW into a channel of your interface, it may well need makeup gain to drive some amplifiers well, despite popular belief. This means that, in practice, a captured DI in your DAW is not for the most part a '+4 signal', whether it is by technicality or not. DI tracks need headroom in the DAW not to clip on the loudest transients (which are wildly higher than the signal average), and have a shockinly low signal average outside of those peak transients. In speaking with Glenn and othere professionals, I came to realize that, although a reamp is designed to transformer balanced line level to unbalanced instrument level and therefore 'shouldn't need gain' (as I previously believed), the fact is that a properly captured DI track is extremely dynamic. Your tracks are too important to risk with anything less. Unlike every other mass produced reamp on the market, I personally make sure each and every one of these are absolutely perfect before they go out. The Signal Art ReAmp has been used and praised by a number of noteworthy engineers, artists, and influencers, including Ryan Earnhardt (Creative Sound Lab) and James Murphy (freelance producer, mixer, and mastering engineer, as well as legendary guitarist).Įach of these reamps are personally hand-wired and built by me and are sweep-tested for phase, THD, level, and frequency response. "Developed in cooperation with Glenn Fricker from Spectre Media Group and based on my earlier Re-Amp design, this new version of my Re-Amp features a very high end custom wound American made transformer and provides a whopping output potential of +10dB in normal use (a nearly 6dB step up from a balanced +4 line input source), high enough to drive any re-amping application. Production description from manufacturer: ![]() ![]() I returned multiple Radial Engineering re-amping boxes due to their high line noise (including RFI/EMI) and inability to send a CLEAN signal to my high-gain tube amp. This box is hand built and designed to provide an extremely clean signal with significant headroom available to boost a low level DI track. The Reamp HP is equipped with an isolation transformer and a ground lift switch to eliminate hum and buzz and help produce a clean recording, along with a level control for fine-tuning the output signal.Recently purchased for $250 new and only needed to use it to re-amp a single studio album. Connect a smartphone or tablet to the Reamp HP and create new sounds by combining a sound creation app with your favorite pedals and amps. The Reamp HP features both 1/4" and 3.5mm inputs, so you aren't limited to just Reamping tracks from your audio interface. You can even assign stereo tracks to the Reamp HP and sum them down using the dedicated mono switch on the device. Simply assign the track you want to Reamp to the right channel of your headphone output and you?re ready to feed guitar, bass, or even vocal tracks through your amplifier to record and experiment with new tones and settings. The Reamp HP is designed to accept the signal from the headphone output jack on your interface, making it incredibly easy to connect on the fly without having to repatch cables or dig around behind your studio desk or equipment rack. ![]() Often times this leaves you with no choice but to unplug a feed to your studio monitors in order to feed a Reamper. Reamp devices are designed to convert the outputs from an audio interface to feed guitar pedals and amplifiers for re-recording, but the problem is that many smaller interfaces typically have limited output connections available. The Reamp HP takes a unique approach to tapping a signal for Reamping in the studio, with the goal of making the process as easy and accessible for any home studio to employ. The Reamp HP takes the signal from a headphone output jack on an audio interface or a mobile device and converts it to feed mono guitar amps and effects pedals for Reamping. Reamp box specifically designed for headphone outputs to feed mono guitar amps and effects pedals ![]()
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